Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Pieter Pourbus
Last Judgement

ID: 85250

Pieter Pourbus Last Judgement
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Pieter Pourbus Last Judgement


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Pieter Pourbus

(1523 - 30 January 1584) was a Dutch-born Flemish Renaissance painter. Remi Ommejaghere and his three sons Onze-Lieve-Vrouwekerk, Bruges, BelgiumPourbus was born in Gouda. He was known primarily for his religious and portrait painting and worked mainly in Bruges, where he had moved from Gouda by 1543. He died in Bruges. His son was the painter Frans Pourbus the Elder and his grandson was Frans Pourbus the younger   Related Paintings of Pieter Pourbus :. | A Young man tuning a lute | Young Peasant Taking his Horse to the Watering Hole | Agony in the Garden (detail) | Capriccio, A Colonnade opening onto the Courtyard of a Palace | Der beim Diebstahl ertappte Hausdiener |
Related Artists:
Dirk van der Aa
Dirk van der Aa , 1731 -- February 23, 1809. He was born in The Hague, and first apprenticed to Johann Heinrich Keller, and then to Gerrit Mes with whom he would later start a workshop; they specialized in grisaille decorative paintings. He counted Evert Morel, Cornelis Kuipers, Johan Christiaan Roedig and Andries van der Aa amongst his students. He died in his home city of The Hague.
Bessie Wheeler
Bessie Wheeler was a painter about whom little is known, other than that she was born in 1876. She painted portraits of people encountered on the streets of Honolulu around 1900. She contributed illustrations to Thrum's Hawaiian Annual and was a member of the Kilohana Art League.
Domenico Beccafumi
c1486-1551 Domenico Beccafumi Gallery Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century.






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